Όλα τα τελευταία νέα για τη Μουσική Τεχνολογία και την Ακουστική, κατευθείαν από τις επίσημες ιστοσελίδες των εταιρειών, συγκεντρωμένα σε ένα blog!

MIDI Jitter Might Be Ruining Your Live Performance

Timing could be compromised when using software instruments onstage


If you play software synths in live performance, you may want to head over to EigenZone to read a detailed article by Geert Bevin, senior developer of the Eigenharp instruments, who has spent some time researchingMIDI buffer jitter.

Geert has been in touch to tell us, "Musicians using software instruments might be delivering sub-par performances and not even know why. Many popular plugin hosts introduce MIDI buffer jitter at the final step, in software, causing the timing to be subtly off during live performance."

More information:
www.eigenzone.org/2012/12/04/midi-jitter

Synare PS-3 Drum Synth Sampled

Millertone announces SYNDR volume 1 multi-sample library for Ableton Live


Millertone has announced the SYNDR volume 1 multi-sample library of the Synare PS-3. Available now as an instant download for Ableton Live. Here's what they have to say about it...

SYNDR volume 1 multi-sample library for Ableton Live puts the beauty and warmth of the true analog classic Synare PS-3 drum synthesizer into the hands of the modern music producer. Venturing well beyond the ubiquitous synth-tom sounds of the 70's, SYNDR volume 1 offers dozens of drum, percussion and fx kits and menus, as well as a complete arsenal of chromatic instruments (basses, lead synths, keys, percolating sequence synths, etc...). Entire tracks can be produced using SYNDR volume 1 and nothing else.

SYNDR volume 1 offers a broad sonic palette, with over 8600 samples captured from the Synare's self-oscillating filter sine waves, square waves, noise, oscillators with the pitch and/or filter LFO modulated by the square wave, deep resonating filters and more. Each sound was recorded at 8 velocity levels and at multiple decay settings. In order to record with absolute consistency, sounds were triggered via pulses generated by MIDI events in a DAW, directly into an external trigger input retrofitted to the Synare.
From authentic, soul-dripping, vintage vibe to the hypersonic sound of the future, SYNDR volume 1 is sure to be an inspiration for producers across the electronic music spectrum.

SYNDR volume 1 Features:

  • 1.2GB+ multi-sample library for Ableton Live with over 8600 24-bit / 44.1kHz Samples
  • 8 velocity layers per note
  • 27 Drum Racks include a diverse range of drum, percussion and fx kits: from vintage to modern; light and punchy to raw and aggressive; deep and resonant to glitchy and dissonant
  • 78 Instrument Racks include chromatic instruments derived from the Synare's self-oscillating filter (sine wave), and Oscillator 2 (square wave) which were sampled chromatically over 5 octaves and at 8 velocity levels
  • Over 950 'drag and drop' ready drum hits available both as Simpler instruments and as Instrument Racks
  • Instrument Racks for drum hits have consistent Macro control of common features (Decay, Tuning, Parallel Compression, Saturation, Low Cut Filter, Velocity and Random Pan)
  • 102 Simpler Menus (Bass Drums, Snares, Zaps, Metallic Hits, etc...) assembled from individual drum hits
  • 164 Live Clips (drum loops) organized into 25 Sets
  • 10 Live Sets
  • 2 Demo Songs (requires full version of Live)

Pricing and Availability:
SYNDR volume 1 is available now as an instant download for Ableton Live.
Millertone is offering SYNDR volume 1 at a special price of $39 (regularly $69), until the end of the year. That's a 44% discount.

More information:
www.millertone.com

Multi Distortion Plug-In

Sound Magic releases Neo Distortion VST for Windows


Sound Magic tells us that Neo Distortion is a distortion effect unit which features a 2-stage distortion Overdrive, followed by 4 optional distortion units including a Waveshaper, Fuzz, Soft Distortion and Contour.
They say that it provides meticulous controls for the 4 distortion types and combined with the Overdrive unit, you can build your own style of distortion to feature your unique sound style.

Features
  • Internal 64-bit floating point precision.
  • 2 Stages Distortion, First OverDrive, Followed by 4 optional distortion units including a Waveshaper, Fuzz, Soft Distortion and Contour.
  • Support up to 32Bit/384KHz resolution.

Pricing and Availability:
Neo Distortion costs €49

More information:
www.supremepiano.com/product/distort.html

500 Series VCA compressor/Limiter

TransAudio Group introduces Daking Comp 500


TransAudio Group, the worldwide distributor of products by Geoffrey Daking and Company, Inc., is introducing the Daking Comp 500, which they describes as an easy-to-use VCA compressor/limiter module compatible with 500 series rack enclosures. The semi-automatic Daking Comp 500, intended for both tracking and mixing, has been designed to perform and sound similarly to the FET circuitry found in Daking's other compressor products, even though it uses a VCA.

The front panel controls of the Comp 500 are simple to use. Compression is set with one knob, ranging from "Less" to "More." Release time is switchable between Fast(0.5 ms) and Auto. The Auto setting engages a dual time constant, which initially releases quickly before slowing, effectively eliminating "pumping," and provides the punch associated with renowned 1970s UK company Audio & Design Recording's Compex unit.

Attack maybe switched between Fast (1 ms) and Slow (16 ms), while Ratio is switchable between Compressor and Limiter modes, respectively setting a 3:1 or 15:1 ratio.There is also a hard-wire Bypass switch.

A Stereo switch is provided that allows up to six units to be accurately linked. The eight-segment meter is selectable between gain reduction or output levels, and offers VU ballistics with floating peak.

The class A circuitry of the Daking Comp 500 incorporates discrete transistors and single-sided amplifiers, offering a fast and transparent signal with plenty of headroom and a low current draw. All components are leadfree and compliant with the Europe Union's RoHS directives.

Pricing and Availability:
MSRP for the Daking Comp 500 is $795

More information:
www.transaudiogroup.com

Rust Never Sleeps

Soundiron revamps their metallic percussion library and announces a sale


Soundiron has announced the release of a major update for one of their metallic percussion libraries, Rust 2. This complete overhaul features lots of mapping tweaks, a new user interface and integration of all of their latest technology. To celebrate they are knocking $10 off and putting their full Metal Collection on sale for 35% off.

Pricing and Availability:
The update is free for current owners of Rust 2.
For all new customers, you can grab Rust 2 on sale now for only $59 through Dec. 12th.

More information:
Soundiron

How To Survive In The Music Jungle

Hal Leonard publishes a success manual for music and audio freelancers


Hal Leonard Books is now shipping Welcome to the Jungle by Jim Klein, which they describe as an invaluable source for freelancers who want to succeed in the music and audio industries. Here's what they have to say about it...

Thousands of people try to make a living as musicians and audio professionals. Most of them fail, and not because they lack talent or the will to succeed. They fail because no matter how much training they've received or how hard they've practiced, they don't know how to face the challenges that await them in the "real world." No matter how much technical or musical skill aspirants may have acquired, there is always a huge gap in their understanding of how that world works.

Do they understand how to behave in a professional environment? When to talk and when to listen? What about developing a personal work ethic, a support system, and a reasonable set of immediate and future plans to make goals into realities? In his dual role as a successful music and audio freelancer of over 30 years and tenured college professor, Jim Klein has not only the knowledge of what it takes to succeed as a freelancer in the competitive fields of music and audio, but also the understanding of exactly what the new aspirant needs to know to take on that world.

Klein has crafted his advice into a book that is detailed, complete, and easy to understand. Welcome to the Jungle includes chapters on setting goals, networking, building a portfolio, time management, personal and professional finances, and dealing with the ups and downs of the freelance career. The book also includes interviews with successful music and audio freelancers, such as legendary producer Howard Benson (Kelly Clarkson, Santana, Daughtry), producer/engineer Kevin Killen (Peter Gabriel, U2, Elvis Costello), bassist Julie Slick, and others.

About the Author
Jim Klein has been a freelance music producer, composer, engineer, and songwriter for more than thirty years, creating and producing music on hit records, feature films, network television series, and national TV commercials. He has received eight Daytime Emmy nominations since 2003, winning twice. He is an associate professor in Drexel University's Music Industry program and lives in Philadelphia.

Pricing and Availability:
$24.99

More information:
www.halleonardbooks.com

Exhibition of Giant Classic Synth Photographs

Can Love be Synth? by Katja Ruge


Kann denn Liebe Synthie sein? (Can Love be Synth?) photoexhibition at Reeperbahnfestival 2012 by katja ruge from katja ruge on Vimeo.

Katja Ruge is a photographer who has a love for synth music and has combined them into a series of large photogrpahs of classic synths. The concept began in in 2010 - with a series of parties titled "Kann denn Liebe Synthie sein?" (Can Love Be A synth?), this then developed into a series of photographs which Katja did for leading German Dance mag Groove.

Since then the photogrpahs has been shown at the Synthesizerstudio in Hamburg, Berlin and at the SXSW festival in Austin TX this year.

canlovebesynth.com
Katja Ruge I Photography
katjaruge.com

New Hardware Analog Synth Goes On Sale

Doepfer announces availability of Dark Energy II


Doepfer has announced availability of its new Dark Energy II Analog Synthesizer, a redesigned version of the original Dark Energy, a standalone monophonic analogue synthesizer with inbuilt USB/MIDI interfacing and CV connectivity released to much critical acclaim in 2010.

So why the need to redesign something so successful so soon? Simple. Needs must. And who better to explain this than company CEO Dieter Doepfer himself: "As the Dark Energy had to be discontinued, because an important electronic component (CEM3394) is no longer available, we decided to do a redesign. The new Dark Energy II looks like the Dark Energy at first glance, but the basic sound of the Dark Energy II is clearly different because of the new circuits for the VCO, VCF, and VCA."

Here's the full details in Doepfer's own words:

Given the absence of that rich-sounding, analogue 'synthesizer-voice-on-a-chip' (CEM3394) from Curtis Electromusic Specialities successor OnChip, how does the Dark Energy II sound? Still rich, still analogue -- with 20 to 30 minutes tuning time needed for the VCO's temperature-controlled pure analogue circuitry, but different... mainly because of the completely different filter type.

Notable differences in specification between the two -- together with a number of functional additions to the Dark Energy II -- are as follows: firstly, the Dark Energy II features a sawtooth-based VCO core (compared to the Dark Energy's triangle-based one), which, as implied, outputs a sawtooth waveform, with a waveform Shape switch for selecting sawtooth, off, or clipped/inverted sawtooth; meanwhile, that all-important, sounding-defining VCF is centred around a 12dB multimode filter with lowpass, notch, highpass, and bandpass, together with an all-new filter Mode control for continuous transition from lowpass via notch and highpass around to bandpass (as opposed the 24dB lowpass variety with linear frequency modulation (LFM) control found on the Dark Energy); the VCF's exponential frequency modulation (XFM) control also has a polarization function, whereby the modulation source (LFO2 or ADSR) selected by the Source switch can affect the filter frequency with a positive or negative behaviour (by rotating rightwards or leftwards, respectively); finally, the VCA has an exponential scale (unlike the Dark Energy's combined linear/exponential scale).

Benefitting those with a modicum of electronics know-how, the Dark Energy II offers much more internal expansion possibilities than its 'Mk I' predecessor courtesy of pin header terminals for the following functions: rectangle and sawtooth VCO outputs, linear FM input for VCO, hard sync input for VCO, lowpass/bandpass/highpass VCF output, rectangle and triangle outputs for each LFO, and optional reset/direction features for each LFO -- all conspiring to make this already flexible synthesizer even more flexible!

The upshot of those differences is that sounds created on a Dark Energy II of course cannot be replicated on a Dark Energy (and vise versa) -- though there is nothing to stop the two distinctive synthesizers from being daisy-chained together to produce an even wider palette of sounds. Indeed, several units can be polyphonically or monophonically cascaded (via internal MIDI out/MIDI in connections) to create an 'über-synth' of sorts!

Like the Dark Energy, the Dark Energy II is a standalone monophonic analogue synthesizer with inbuilt USB/MIDI interfacing and CV connectivity housed in a rugged black metal case with wooden end cheeks; likewise, sound generation and all modulation sources are 100 percent analogue, appealing to purists -- only the USB/MIDI interface includes digital components, naturally! Again, vintage-looking, high-quality potentiometers with metal shafts are used throughout, and all are fixed to the casing -- except for that all-new filter Mode control -- to ensure stability. Spacing between them is generous (in comparison to the necessarily smaller A-100 Analog Modular System modules like the A-111-5 Mini Synthesizer Voice equivalent of the original Dark Energy) to ease sound-shaping manipulation.

In truth, then, the Dark Energy II is -- to all intents and purposes -- an all-new synthesizer from Doepfer! Why not plug in and play?

About Doepfer

Doepfer Musikelektronik CEO Dieter Doepfer began building electronic musical devices in 1979 with a voltage- controlled phaser module for the Formant modular synthesizer, a Moog modular-style DIY kit documented as a series of articles in Elektor magazine; later, he began developing devices under his own name, including the still-available MAQ16/3 MIDI Analog Sequencer (in close collaboration with German techno pop pioneers Kraftwerk), and subsequently spearheaded an analogue renaissance with the MS-404 MIDI Analog Synthesizer in 1995: "It was such a big success, it opened the door to the A-100.We designed a lot of stuff for Kraftwerk, and they wanted everything in silver, so, when we started with the modular system, since we had such a strong relationship at that time with Kraftwerk, and everything was silver, we made it silver!" Kraftwerk's Kling Klang studio that toured throughout 1998 laden with silver-grey Doepfer devices like the king-sized SCHALTWERK MIDI Trigger Sequencer and REGELWERK MIDI Fader Controller had a lot to answer for! Today, Doepfer's diverse range of products -- also available in black -- encompass USB/MIDI interfaces, master keyboards, sequencers, synthesizers, and more; the Graefelfing-based German company counts such synth luminaries as Hollywood hotshot Hans Zimmer and stadium superstars Depeche Mode amongst its global user base. Meanwhile, the A-100 Analog Modular System remains the most compact, affordable, and flexible such system ever produced (with over 125 of those still-silver-grey modules in the range... and rising).

Pricing and Availability:
Dark Energy II can only be ordered online within Germany directly from Doepfer for €428.00 EURO, including VAT, or purchased from an authorised dealer. (An optional Glide control option is also available for self-installation for €10.00 EURO, including VAT.)

More information:
Dark Energy II

New Sounds For Korg Kronos And OASYS

Karma-Lab releases a new set of 32 combis


Karma-Lab has introduced Reincarnated - Groove Nirvana, a new set of 32 KARMA-fied combis for theKorg Kronos and Korg OASYS. The sound set includes grooves and sonic textures in a wide variety of styles, ranging from a mixture of Hip-Hop, Dance, Electronica, Trance & Techno categories to Ambient, Jazz, New-Age, Film Score, and World/Ethnic categories. Previously released for the M3 and M50, the set has now been brought to the Kronos and OASYS as well, taking advantage of the multiple synth engines and increased polyphony and effects capabilities.

Reincarnated joins Catalyst (a previously released sound set) in pushing the KARMA function to the absolute limit. Each combi is composed of 4 complete KARMA Modules and 8 fully-voiced scenes for maximum variability, featuring extensive control via the KARMA Realtime Controls (8 sliders, 8 switches) and the other controllers (joystick, ribbon, vector joystick, 8 RT knobs, and 2 switches over joystick). In addition, the Kronos version's Drum Track has been programmed to add an additional complementary percussion or drum element in every combi.

Karma-Lab tells us that, programmed by Scott Raposa and KARMA developer Stephen Kay, the set represents hundreds of hours of work over the last year, yet is priced at only $1 per combi. They say that Reincarnated includes a 71-page User's Guide that provides meticulous documentation on each combi in addition to hundreds of tips and tricks on how to get the most out of each Performance.

Karma-Lab president Stephen Kay told Sonic State, "As the inventor of KARMA Technology, nobody programs KARMA to the degree that we do. If you want big, bold, full, robust KARMA combis with inspiring and intricate parts that have 8 full scenes of completely different variations, each capable of driving the creation of new song ideas, then these are the sets for you."

Pricing and Availability:
$32

More information:
karma-lab.com/reincarnated

Equinox Sounds Releases Uplifting Trance MIDI Arpeggios

30 programmed arpeggios to use in your productions


Equinox Sounds tells us that Uplifting Trance MIDI Arpeggios features 30 professionally programmed uplifting Trance Arpeggios in MIDI format so you can fit them into your Trance music productions, or transpose them into any key.

A spokesperson told Sonic State, "As these patterns are supplied in MIDI format, they will provide you with as much flexibility as possible. You can edit and transpose them, assign any sound you want and get your own and original melodic lines. The editing possibilities are endless as you can play the performances at any tempo or pitch without artefacts. You can use these MIDI files as a jumping-off point to start your own track or base your production entirely around them as they are 100% royalty-free!"

Pricing and Availability:
Uplifting Trance MIDI Arpeggios is currently available for $19.95 as a download

More information:
www.equinoxsounds.com